Electronics, Lee Safar Album, Music

ClassicAPI VP26 Built and tested

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Hi there!

For those following my studio exploits I’ve been 1u racking ClassicAPI VP26 and Sound Skulptor MP73 preamplifiers in a custom drilled and layed-out case.  A big thanks to the Robots and Dinosaurs Sydney hackerspace for the use of their equipment.

Two days ago I tested the VP26 ( successfully I might add – it worked first time! 😉 ).

Here are the shots of the resulting installation of the VP26 board into the 1u rack case, and also some of the PSU wiring.  You should also be able to make out some “more complex than usual” wiring around the rear panel near the transformer.  That’s due to the fact I’ve wired this box to support 240V and 120V inputs, to make it compatible with most countries in the world ( it will be traveling regularly between LA and Sydney for the album I’m currently producing ).

I used a JLM Audio Powerstation power supply to derive the 0V, +16V, -16V, +24V, -24V and +48V rails required to run both of these pres in the same space ( including Phantom Power ).

The VP26 is visible as it was wired for the sound test in the last image.  Next up ( hopefully tonight ) will come the MP73 final wiring and testing.

enjoy:

Lee Safar Album, Music

I’m Here ( Remix ) – featuring Lee Safar – teaser 2

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Hi there!

Here it is – the second, and 90 second taste, of the evolutionary theory ( that’s me! ) Remix of Lee Safar‘s online hit “I’m Here“…

This is just another slight less-tiny glimpse though, so if you want to hear more before the official release on August 31st – like it, comment it and share it. Make some noise and you never know, it might help convince us to reveal a little more….

 

http://soundcloud.com/evolutionarytheory/evolutionary-theory-im-here-1

 

evolutionary theory and Lee Safar

Released by: The House of Jote
Release date: Aug 31, 2011

Electronics, Lee Safar Album, Music

Boxing an MP73 and a VP26 – Part 1

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Well, it’s been some time since I’ve used a drill press…. Probably year 10 at school, which was some time ago now….  However, harking back to my days of old, I managed to get some pretty good results.

Those who have been keeping up to date on this blog will know I just finished soldering together Sound Skulptor MP73 and ClassicAPI VP26 preamp kits.  This post is about how I’ve been able to successfully fit them into a 1u rack case.

I got the rack case from Altronics in Sydney: http://www.altronics.com.au/index.asp?area=item&id=H5011

Working at the wonderful Robots and Dinosaurs Hackerspace in Sydney, the first step suggested to me by my mate talsit, was to put tape ( it’s green! ) across the front of the aluminum panel.  This was so that if(/when) I slipped, I wouldn’t need to shed a tear, as underneath it would be protected.

With previously acquired Ninja hack-sawing skills ( and a really cool hacksaw he had ), talsit helped by cutting to size an Aluminium L-panel that I found at Bunnings to fit as a divider and as shielding protection between the power-supply and sensitive pre-amps, along with helping to mod the case slightly to allow room for the preamp front panels ( which involved some brutal tearing out of screw-flanges with a large pair of pliers – kind of like going to an Aluminium dentist…. )

Next I took the two front panels and laid them to the left middle of the panel.  This was to make room for the power supply that’s to sit to the right of the case, along with a linked/independent toggle for running the pres both from input A, or independently from A and B ( it basically will bridge input A to preamps A and B so that one source can run separately through both preamps ).

I then proceeding to mark with pen all of the holes.  From there I used a digital caliper to measure each and every hole interior diameter.  Unfortunately the Hackerspace did’t have the extremely strange drill sizes I needed – but this was very much a blessing in disguise.  Since I had to mark the centers of all the holes by eye, I knew I’d be out all over the place with sizes.  So I rounded up to the nearest bigger size.  This allowed me to have the play across the whole panel I needed, and the accumulative error was spread out.

Much to my surprise, after drilling it, everything fit perfectly, first time, with no modifications or tears.  Amazing considering how inaccurately I thought I was drilling everything….

I’m still waiting from element14 for some key parts to ship, but, the front is basically done ( sans power switch ), and the rest of the case can be drilled in another Hackerspace session.

Here are some photos of the results and the anticipated case layout – including the lovely green tape ( which will be removed and replaced by a bright red front panel, which I’ll send to be anodized when it’s fully finished ) 😉

Stay tuned for Part 2 where I hope to finish preparation of all of the holes, then Part 3 where I’ll solder it all together and test it….

Lee Safar Album, Music

I’m Here ( Remix ) – featuring Lee Safar – teaser 1

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Hi there!

I know how long Lee Safar and I have kept you waiting, so here it is – the first taste of the evolutionary theory ( that’s me! ) Remix of Lee Safar‘s online hit “I’m Here“…

This is just a tiny glimpse though, so if you want to hear more before the official release on August 31st – like it, comment it and share it. Make some noise and you never know, it might help convince us to reveal a little more….

 

http://soundcloud.com/evolutionarytheory/evolutionary-theory-im-here

 

evolutionary theory and Lee Safar

Released by: The House of Jote
Release date: Aug 31, 2011

Electronics, Music

Sound Skulptor MP73 – Build

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Hi there!

For those who haven’t been following so far, I’ve been building some equipment for a high-quality DIY home studio for an album I’m working on for Lee Safar.

This post is about the second of two microphone preamplifier builds.  The first one ( in an earlier post ) was about the ClassicAPI VP26 ( which has a classic old 70s thick API tone), and this one, is about the Sound Skulptor MP73 ( a Neve 1290-style preamp with a warm gooey character ).

The package arrived from Sound Skulptor, so I proceeded to unwrap it:

Here is the top and bottom of the included PCB:

I started to populate the board with the diodes first, as per the excellent included instructions:

After this point however I deviate a little from the provided instructions cause I felt I had a better construction order, however, next came the resistors:

Next came the ceramic caps:

Then the film capacitors:

Then the tantalum capacitors:

Then some transistors:

Then the trimmers:

The header:

The relays:

The small electrolytic capacitors:

The terminal block connectors:

Then the main front panel switches:

Next came the potentiometers:

Then the heatsink clips were applied to the power transistor and voltage regulators:

The large electrolytic caps went in next:

The Carnhill input transformer went in next with some tricky manouvres to seat it into position:

Now the Carnhill output transformer goes in:

So then I trimmed and soldered the output transformer leads, and whacked in some IC sockets ( even though the instructions didn’t mention them, I put them in cause I have a bad track record with destroying static sensitive chips…. ):

I used the front panel, held on by the other components, to help me correctly line up the LED before soldering it, and I’m glad I did, cause now it lines up PERFECTLY.  A slight deviation from the original instructions, but easy, and accurate:

And that was it, finished!  Now I just have to do some careful cleaning of the underside of the board to remove the flux I used on the ground-plane connections ( they had to be HOT to solder properly due to the thermal dissipation…. ), but here are the shots of the final construction:

Now all that is remaining is building a power supply, casing this MP73 preamp with the VP26 one in a 1u rack case, and then, some testing.

But so far it’s looking good – not long to go now!

Catch you all soon!

manoeuvres

Electronics, Music

ClassicAPI VP26 – Build

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As I’ve mentioned previously on this website, I’ve been organizing a minimal home recording studio for Lee Safar for the album I am currently producing for her.  In order to save money and also get the best possible sound we can, I’ve decided to DIY a lot of the recording equipment.

Jeff Steiger, owner of the ClassicAPI company was amazingly friendly with all of the questions I had for him when deciding to purchase this kit.  After putting in the order, about a week later, the box arrived:

Everything was beautifully packed, and the initial reaction was “wow, this is one seriously professional piece of kit….”.

Here you can see the silk-screened front panel ( which was shipped in the wrapping it’s sitting on ):

Here is a glimpse of the input transformer, output attenuator and input gain control and associated mounting hardware:

These are the main front panel switches for Mute, Phase reverse and Pad:

Here is the wrapping for the main mounting frame:

The gorgeous input transformer:

A close up of the switches including the 48V Phantom power switch:

Here is the top and bottom of the PCB that comes with the kit:

Here is the whole lot on the table:

The first thing I did was set up the workspace ( yes, I am using a Country Road magazine as a work mat – that’s how I roll – I’m not quite as well setup as when I was working at talsit‘s house! ):

Then I put in the resistors:

Followed by the diodes:

Then the latching push switches:

Then the blue Murata ceramic capacitors:

Then the large capacitors, radial and standard electrolytic went in.  The Mill-Max sockets also went in at this stage.  You’ll notice the botch job of the large 470uF capacitor with it’s horrible soldering.  A note to those building this kit – use flux!  I didn’t and it made soldering to the ground pads exceptionally difficult due to the massive thermal inertia of the exceptionally thick PCB.  I bought some flux the next day and used it to fix up that area ( which you will see in later photos ):

The input transformer went in next:

Then the output transformer ( also note the cleaner solder joint on the large axial 470uF capacitor that I cleaned up by application of flux and re-soldering ):

You can see the output attenuator now after being added:

Next the 48V Phantom power switch went in, and I started to assemble everything into the main frame, along with the front panel:

Next the knobs went on to the potentiometers:

And that was the end of the basic ClassicAPI VP26 build.  A preamp isn’t much without an amplifier now is it?  So the next part was building the gar2520 Discrete Operational Amplifier (DOA) – which performs the actual amplification task.  It’s a compatible physical layout to the original API 2520 units ( which can also be used in this kit as DOA’s ).

The first part of the gar2520 build is the pins for insertion into the Mill-Max sockets of the main VP26 board:

Next go in some resistors and capacitors:

Then the diodes:

Next are the main transistors:

Now we add some more resistors and capacitors:

And more:

And more:

And more:

And more:

And more:

And then, finally, the last parts go in to finish off the gar2520 DOA:

Now the DOA can be inserted into the main board:

And now it’s time for some modelling shots of the finished ( but untested ) product….

And now for some close-ups:

And there you have it.  Next up, the Neve-style Sound Skulptor MP73 build.  Stay-tuned for that, and the testing of this pre.

Electronics, Music

SB4000 Bus Compressor – Build – Finished

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Well, we finally did it;  talsit and I finally finished building the SB4000 compressor.

Here are some images of our handiwork.  The meticulous wiring layout is mostly due to talsit.  Firstly you can see the heat-shrink applied to all bare terminals – here the compression engage and side-chain switches, and even heat-shrink also applied to cable bundles for support:

Next you can see some of the XLR wiring at the back, which uses a star-grounding scheme, that means each pair of XLR’s ( left and right ) is returned to ground separately ( which helps reduce noise and hiss ):

Next you can see the mains switch which has been hot glue-gunned for protection to remove any possibility of direct exposure to a bare live mains voltage ( should you feel the need to stick you face inside of the box whilst it’s on…. ) and the cable-ties for strain relief and rigidity to movement and bumps – it’s all about safety:

We also made sure that for future possible tweaks, things would be tied down, but not TOO much so – hence the plastic clip is used with a cable-tie, since the cable was too thick to fit through it directly and it means easy less fiddly access later on – you can also see the ribbon cable that feeds the display here too:

Red and Blue cabling was used for a consistent colour scheme throughout – to match the blue capacitors and the red circuit board – attention to detail was important to everyone involved:

For those who bought a kit of parts from diypartssupply, you would all have the same meter.  It is marked with + and – slightly indented into the white plastic, which took us a while to find…. Noting that throughout Red is + and Blue is – we hope that these images might help some other people figure out how to wire it.  We also checked this with a diode checker ( which can verify the LED on the meter – the small tabs ) and the diode check on your multimeter can move the meter also to verify it’s polarity and orientation – which we verified before soldering:

And here it is, in all it’s finished glory – waiting only for some better and sexier pot and switch knobs, and some testing and calibration – which I’ll write about next time.  It has been switched on and neither exploded nor got hot, and the switch lights and start-up procedure seemed perfectly fine.  The voltages also check out perfectly – so hopefully that means we have a fully functional compressor!:

Electronics, Music

Sound Skulptor MP73 Preamp – Kit Arrived

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As a part of working with Lee Safar on her up and coming album, I’m also helping her build a studio in her home, so that as and when ideas come to her, she can record them, completely professionally, right then and there.

In order to aid this I’ve suggested she use a Shure SM7b microphone and an Apogee Duet 2 sound card.  One of the missing parts of that chain however, is a big, classic, beefy sounding preamp.  The two types of tone I wanted to give her in particular are the smooth sound of a Neve 1073 and the forward mid-biting rock sound of an API 70’s pre.  I wanted both types of sound extremes to be recorded simultaneously each time she records, so that I’m able to blend them how I want during the production stage.

In order to give her these two sounds within a small budget, I decided to build them myself from kits.  The two kits I decided upon were the Sound Skulptor MP73 and the ClassicAPI VP26 with a gar2520 discrete opamp.

Today the MP73 arrived.  It was beautifully packaged, and didn’t take very long at all to ship to Australia.  I’m very impressed with every facet of the kit, from how thorough it is ( ALL nuts and bolts, the front faceplate and even the pot knobs are provided…. ) and I can’t WAIT to start building it.  You can see in these photos the large heavy iron transformers, which impart the warm sound of this pre:

 

When finished, it should look a little something like this: